Baby Steps

Someone asked me in the first few months of teaching what my goals were for my Drama program. I didn't really know how to answer; my best response was basically that I wanted it to be like the drama program when I was in high school. That was my goal two years ago, and still is, to a certain extent. But now I approach the question with a slightly more educated and realistic eye (is that the best way to say that? I don't know). My ultimate goal is to be able to put on excellent productions that are primarily student run. I want to be able to sit in the front row and watch, without having to worry that there will be some disaster backstage that will require my immediate attention.

That is a pretty lofty goal, especially from where I'm standing. But I think it's doable. Here are a few steps we need to take towards excellence:

1. Establish a sense of pride in the program as a whole and in the quality of work. At this point, we don't know what a really excellent program or even an excellent production looks like, nor do we know what it takes to get there. I need to start showing my students what excellence looks like. We need to go watch other people who are being excellent. This has its pitfalls. The tendency might be for them to compare themselves, rather than take it as inspiration to do better.

2. Get out of the mindset that we can wait until the last minute to pull it off "because we always do." I think this is what has killed us with "The Foreigner." A few strategic people have established the attitude among the cast that later is okay, so we've taken far too long to get off book, and find costumes, know our cues. In today's rehearsal, we were where we needed to be about two weeks ago because two weeks ago, I was still yelling at people to be off book, and they were still making excuses. This is a great segue into my final point.

3. I need to be a jerk about things like missed rehearsal/tardiness, and missed deadlines. I don't know how to do it. I don't have the heart to tell someone who has been in rehearsal for a month that they won't be in the show because they aren't off book, or because they missed 3 rehearsals, or because they were late a few times. How do I tell a parent that their kid is out of the play because they had some kind of obligation and didn't tell me in advance? In reality, I HAVE to if I want the program to succeed. Teaching them that being there sometimes is not okay. Aside from the difficulties of trying to rehearse or block a scene without a character, it also destroys a sense of trust among the cast. How can I expect one person to rely on the other to make an entrance or know a cue if they aren't even at rehearsal?